Love & Inspiration

Oh heeeeyyyyyy… it’s been a while, huh?

Look, I have a life, you know! I mean, I definitely do not spend most of it sitting alone in my house playing video games or reading NOPE NOT ME.

Anyway, I’m here to give you an update on that thing I’m always talking about, you know the one. It’s been awhile because life stuff. Like dang life you so crazy!

Okay, so writing. What am I even working on anymore?? I am working on A Novel. It doesn’t have a title. It doesn’t even have a real working title. I’m calling it S&S right now, which makes no sense unless you’re me, so I guess let’s call it Novel S.

I actually started the very beginnings of Novel S two NaNoWriMos ago. Not last year, but the year before, I started with almost nothing. I wrote about 13,000 words that year. Then I kind of messed around with it for while until NaNo came around again.

Last year’s NaNoWriMo was by far one of the best I’ve ever done. I actually wrote 50,000 words!! That almost NEVER happens! It got kind of dumb toward the end, though, when all my characters got super formal and stopped using contractions.

So yeah, I wrote a ton that month. I’ve also finally figured out how my process works, which is something I never fully understood until now. This was mostly due to my belief that all books must be written the same way. As in, you need an outline and character sheets and you should write a little bit every day and don’t start over and then when you’re done you revise and so on and so forth.

Rubbish, I say!

I am NOT an outliner. Character sheets are useless for me, too. This is because I will write out all their info before I start writing, but then as I write practically everything about them changes. I’m way too lazy to go back and fix all the stuff in the character sheets, so they just remain forever inaccurate, which I think kind of defeats the purpose.

I also don’t write every day. My junk needs time to simmer in the pan that is my brain. It’s like I spend several days cookin’ up hash browns so I can sit down to a mountain of seemingly endless inspiration. Mmm yes hash browns.

My point is, I’ve figured out the right way for ME and that’s what matters. Everybody is different. Everyone will find their own way. I had to realize that I didn’t have to do things the way someone else says I should. In the end, who would even know? As long as I finished with a book, who cares how I got there, right?

Another thing I do is rewrite. I do start over. I have to! My process actually DOES NOT WORK if I don’t start over. The trick is learning when to stop starting over, but don’t worry, I’ve finally figured that out, too.

Right now I’m working on the restart. I’ve got another goal of 50,000 words, but I’m doing it in three months instead of one.

I MEAN MAYBE?

I was PLANNING on three months, but guys I’m writing SO MUCH. It’s insane. Depending on how long this lasts, I might be done with 50k in less than a month.

This is it, I think. I feel like I’ve arrived. I feel like I’ve been riding the train for almost twenty years, but I kept getting distracted by other people’s stations instead of getting off at mine.

I’ve rambled about writing in the past and I’ve written a lot of blogs that said stuff like THIS IS IT and I FEEL SO GOOD ABOUT THIS BOOK GUYS and I’M ACTUALLY GONNA FINISH THIS ONE. And then none of it was true.

So I’m like, yo, no expectations for Novel S. The only way for me to really feel like I can write something I enjoy, something that I will finish, something that I can be proud of is if I have no expectations for it. If it gets published one day, that would be great, but if it doesn’t, that’s also fine. You have to fail before you can succeed, that’s just how life works. So why stress about failing to the point where I can’t even finish something? That’s really just another form of failing, anyway. If I never finish a book so that it never gets rejected by potential publishers/agents/readers, isn’t that worse than failing?

What matters to me right now is that I’m doing the thing that I love. I’m spending my time writing instead of feeling guilty about not writing. I’m doing it because I enjoy it. I’m doing it because when I see it starting to take shape, I get so excited it’s like I’m floating. I’m doing it because I love that feeling of being a Word Wizard who casts Spells of Fiction.

I found a quote recently that blew me away with how relevant it was to this feeling I’ve been having.

“Just don’t give up trying to do what you really want to do. Where there is love and inspiration, I don’t think you can go wrong.” -Ella Fitzgerald

I’ve always believed that to be true. Now I’m actually applying it to my life. I’ve got the love and the inspiration, so you better believe I’m never giving up.

I Am Not Tolkien

Anyone who knows me can tell you how Tolkien obsessed I am. I know all the weird little details. I get annoyed by inaccurate Tolkien memes. I have read the books and seen the movies multiple times.

However, when it comes to writing, I avoid Tolkien like the plague.

Lemme explain.

Tolkien was a linguist and a historian. He was an academic. This is why he was able to create his own languages, his own detailed world history, even his own religious mythos. He was already an expert in these areas.

I’ve seen a lot of memes that poke fun at Tolkien for starting his story by creating an entire language for his elves. (By the way, there are fifteen elven languages and dialects. The language of the dwarves was based on Old Norse and for men I think it was Old English, so not entirely made up, but still requiring years of previous study.)

So now fantasy writers feel like they have to do all that junk and that’s why we end up with fantasy stories that are all based in a made-up-but-medieval setting with fake words and usually at least one of the fantasy races (i.e. elves, dwarves, hobbits, etc.).

It actually really irritates me when people do this. Lemme tell y’all a secret… you do NOT have to create a new language in order to write a believable fantasy setting. In fact, you probably shouldn’t do that unless you, like Tolkien, are a linguist and have intensely studied how languages work. There are many ways of indicating language without actually writing the language. (Names of countries and such like are obviously the only exception.)

I would continue to argue against elaborate languages by saying that it pulls readers out of the story and mostly annoys them. Think about it. What do you, as a reader, do when you come across a word or name that you can’t pronounce? You skip it. You don’t try to sound it out in your head. You just skip right over it.

History is a little different in that I don’t believe you need to be a historian to create a backstory for your world. However, I do think that instead of actually trying to do this, people just go with the Tolkien Template. Medieval-era swords & sorcery, a past struggle against the Darkness, and general animosity between obvious races (i.e. elves & dwarves).

Anyway, my point here is that I found it very intriguing that I’m such a huge Tolkien fan, but when it comes to my writing, I tend to do nothing the way he did. There is no doubt that everything I’ve ever read, seen, or done subconsciously influences what I write. So Tolkien may be lurking in my writing without my knowledge. But I am not Tolkien. I do not try to write like him.

Which I suppose is not all that unusual, when I take a moment to think about it. The truth is that I am not any of the writers that I read and admire. When I sit down to that blank screen, all those writers and their works may be behind me. They may be the foundation from which I built my understanding of the craft. But in the end, the words that I put together to create stories are my own. When I write, I try to write like me.

What My Novel Is About

There is a question that I get asked every time someone is told that I’m writing a novel. It is always, “What’s your novel about?”

I used to have very strong feelings about this question. Basically, I hated it.

I have been working on a novel of some kind since I was fourteen. I’m going to be thirty-two in a couple weeks. For a large chunk of that time, I suffered from social phobia. It was a dark, horrible place. Talking to people at all was a struggle, let alone trying to answer that question of horror.

The reality is that novels are complex beasts and since I’m always in process and never finished, it’s actually really difficult for me to summarize what I’m working on.

This is probably different for every writer, but for me, it’s practically impossible to tell you what my novel is about. It’s not because I don’t want to share it with you. It’s because I don’t actually know.

The trick is usually trying to figure out if the person I’m talking to is someone I can trust with the information that I don’t know what my own novel is about.

When I was young and terrified, nobody could be trusted with that information. I wouldn’t willingly hand it out. So what did I do? I usually tried to get away with saying what genre I was writing. “Oh, it’s a fantasy novel.” If that didn’t work, I tried to summarize. And I failed. And then I felt like an idiot. And then I probably resolved never to talk to that person again out of shame.

So I think you can see why I hated this question back then.

Nowadays, I’m not as scared of people or what they think, so I find in most cases I can go ahead and tell them that I don’t know what my novel is about. It’s actually the perfect mechanism to change the subject from what my book is about to how I write. Since the next obvious question is something like, “How can you not know?” or “Are you some kind of idiot?” Then I can answer, no, not exactly, I’m just a discovery writer. I find my story as I go along. See? Now we’re talking about my process and I no longer have to attempt to summarize the slush that is currently my novel.

loooove talking about my writing process. I could talk about that mess all day long.

And since I no longer hate and fear the dreaded question, I can instead appreciate the person who asked for being interested in my writing at all.

I find in most cases, gratitude can change your outlook on anything. Something I used to hate is now something I can be grateful for. I know that people who ask aren’t trying to make me feel anxious or stupid. I know that they simply want to get to know me. So instead of telling them what my story is about, I tell them why I don’t know what it’s about.

So if you ever ask me what my novel is about, you can be sure that I won’t give you a direct answer. Even if I had some kind of summary to provide, it would be meaningless. If you asked me the same question a week later, the entire summary would be different. This is how I work. My creative process is a mess. It works, but that means my story is also a mess and thus summary is impossible.

In conclusion, I am grateful to anyone who expresses genuine interest in my writing, no matter what questions they ask. Just remember that I’m dodgy and don’t be offended if I don’t actually attempt to summarize my novel for you. I’m still happy you asked about it.

Office By Day, Writer By Night

You probably haven’t noticed that I changed the tagline of my blog. It is now the same as this title. It used it be “blog of author & poet Christina E. Lupanow” but that was wayyyy boring. I wanted something that would reflect my actual life a little bit better.

I work in an office by day, but I’m a writer by night. That’s pretty accurate.

And I want to share both worlds with the internet, so here we are. I want to illustrate what it’s like to have a full-time job that makes money and a something that isn’t a hobby but isn’t quite a job and makes no money currently and might not ever. I mean, it’s complicated. My emotions about these things are up and down all the time nearly every day. One day I’m thinking, “Yeah! I love my office job!” and then within in the same day I’m thinking, “Ugh! Not the office again!” Similarly, I’ll go from “Writing is pure joy and bliss, I don’t care that I can’t do it as a job!” to “Writing is still my favorite thing but maaaaaaaan why doesn’t it make more money?”

This means that from now on, you’ll get even more insight into my ridiculous life. Aren’t you feeling lucky?!

I guess if I was going to be annoying, I would say Writer By Night and Weekends, but that just feels way too long. Plus Writer By Night is cool and mysterious sounding.

At the moment, office life is decent. Nothing really bad, nothing really great. Mostly just the same as always. Writing life, on the other hand… is going better than usual! At the moment, going home to write is the highlight of my day.

I’m also going to start writing more blogs about books that I’m reading because who doesn’t want that? If you follow me on Goodreads, you will know that I’m usually reading at least two books at once, usually more. This is partly because I listen to audiobooks at the office. I will likely write a post about audiobooks in general quite soon – they are one of the few things where my office life and my writer life overlap. A rarity, indeed.

That is all for now. It’s lunchtime at the office & I’m thinking hellooooo break room vending, what delectable sandwiches do you have for me today? Hopefully, something that hasn’t been there too long, but you never know. This is what I get for not packing my lunches the night before.

Literary Mayhem

BA HA HA HA HA HA.

I AM BACK.

That’s how I feel right now, full of villainous laughter and the feeling that I’m back to being who I’ve always been. IT FEELS GREAT.

I seriously considered ending this blog post right here, but then I thought that would be kind of mean. Though “kind of mean” totally fits with my vibe right now.

Okay so let me start with this: it’s about writing. You should not be surprised. It’s always about writing. Okay, it’s almost always about writing. The next post is gonna be about not-writing, I promise.

ANYWAY.

In case you didn’t already know, I have been really strugglingwith my writing for the past forever. It had less to do with writing and more to do with my outlook… maybe go back a post and read about Sisyphus, then you’ll get what I mean.

Basically, trying to write filled me with agony and pain and suffering. Every word, every sentence, felt like a punishment. And so whatever I wrote was also really bad. Really bad and really sad and just not at all what it used to be like when I was young and joyous and free.

Now what do you think I mean when I say I AM BACK?

Normally I write a lot of blogs during NaNoWriMo, but this year I didn’t. There were a couple of reasons. Reason number one was that writing was still painful and I honestly didn’t think I’d do much of it. Reason number two was that the story I was writing was nothing but a single character. It has since evolved into a few different things, but I was starting with practically nothing. It had been a long timesince I had done such a thing – starting a story with nothing to go on but a character. So I figured that I wasn’t going to get far and there was no point in blogging a ton about my barely there NaNo efforts.

I was right. The goal? 50,000 words. My ending total? 13,033 words.

More than I was expecting, but nowhere near the actual goal.

So I think I made the right choice not blogging about NaNo this year.

Now that it’s over, though, I’m really liking where my story is going. So I decided to keep working on it.

I just finished writing a scene for this story. And the feeling I got when I had finished was the feeling that made me want to be a writer back when I first got serious about it sixteen years ago. I get a little shiver of excitement down my spine that makes me feel like an EVIL MASTERMIND OF AUTHORIAL MADNESS and all I want to do is Evil Laugh.

Thus the BA HA HA ing at the beginning.

Not only did the scene turn out better than I expected, but a connection I needed showed up quite nicely for me.

That one character I started with? Not in this scene. This one was about a completely different character that I had made up during NaNo because I was getting bored. Their stories didn’t collide in any way that I could see. But I wasn’t trying to make it all work. I was trying to just go along with whatever happened.

I still couldn’t help trying to figure out where their stories crossed, though. I thought about it occasionally, as I went about my normal days. I even thought I might have to separate the stories.

And then tonight, as I worked on a new scene for the second character, one word that I added on some kind of whimsical writerly inspiration connected the stories. One word was all it took. And that’s when I started feeling a bit like a VILLAINOUS MAD SCIENTIST.

It didn’t help that the word also kind of made this second character really dark.

This is a feeling I’ve had before. Back when writing wasn’t painful. Back when writing was more like experiments in a lab coat with a hunch backed flunky. Back when writing was like a dark cauldron bubbling over with neon goop. Back when all I wanted to do was be a Word Wizard that would Cast Spells of Fiction over all my Unwitting Readers.

I missed this feeling. It’s why I write. I thought I lost it forever, but it turns out I just had to dump my PAIN AND SUFFERING by being my own Word Wizard and not someone else’s idea of a Word Wizard.

I’m a discovery writer, folks. That’s the long and short of it. I don’t plan. I don’t create outlines. I can and I have and I tried to make myself do it. And I was miserable.

BUT NOW I AM BACK.

Maybe one day you’ll get to read my Spells of Fiction. I know some of you have been waiting a long time.

Fear not for I sense the day is nigh! My wizardly word fingers are tingling like they haven’t tingled in years! My villanous laugh is deeper and truer than it has ever been! Prepare for literary mayhem!

BA HA HA HA HA HA!

Don’t Be a Sisyphus

Seriously, don’t do it. Sisyphus was apparently a big jerk so he got doomed to an eternity of pain and suffering.

Okay, okay, I’ll summarize Sisyphus, just in case y’all don’t remember your Greek mythology.

Sisyphus was a King in ye olde Anciente Greece. Known to be the craftiest of all, he had a habit of killing people, defying the Gods, and doing all in his power to avoid death through trickery. Eventually, though, the Gods were like, “Nuh uh,” and managed to drag him down to Tartarus after many shenanigans. Once there, Zeus enchanted a boulder so that Sisyphus would have to push it up a hill only to have it roll back down again… for all eternity. ‘Cause the Gods don’t be foolin’ around.

Sisyphus was the worst. Does he truly deserve an eternity of boulder pushing? I don’t know and it hardly matters since this is mythology we’re talking about here. Whether or not Sisyphus was an actual person, I have a hard time believing he’s still pushing a boulder in a non-existent Underworld.

However, there are loads of people who have their own metaphorical boulders that they’ve been pushing for years only to have them roll back down again. Unlike Sisyphus, they don’t understand that what they’re doing is completely pointless. They have a firm belief that they will eventually get to the top and that the boulder will someday remain there.

Allow me to crush your hopes and dreams. Your boulder? Ain’t never gonna get to the top of that hill.

The good news is that who gives a fuck? I mean, seriously. Let me give you an example of the no fucks given that should be employed in this situation.

Using my own life is always easiest, so let’s go with that.

Hello, my name is Christina, and I’m a writer. I’ve been trying to finish a novel for ages and yet have never managed to do so. My boulder always crushes me as it goes back down the hill. Very painful. I have to wait for my broken legs to mend before I can get back up to continue pushing.

My boulder? Writing a novel.

My legs? Actually my confidence in my own skill as a writer.

While I wait for the legs, I study up on boulder pushing. Or in this case, on how to write a novel.

The problem? Everybody has their own methods of boulder pushing. So I end up pushing my boulder using bits of methods from all of them. Every time I start pushing again, I change the method based on what I’ve read recently. Or sometimes I just start over and do it exactly the same way.

The result? No results. Broken legs.

Guess what, though? That boulder is really made of my insecurities. All these years, I thought I was pushing my novel up that hill. Wrong! My novel is the hill! And its completed manuscript is at the top! That boulder is just a wad of doubt and outside influence. That boulder is me clinging to the idea that a writer has to do things a certain way and has to be a certain person.

Upon discovering the boulder was useless, I was able to fling my fucks out the window. Unlike Sisyphus, I can leave the boulder at the bottom of the hill. I can just walk around it and climb up the hill boulder-free. And eventually get to the top, where I can hang out with a finished novel.

There is actually a second option, too. I could walk away from the hill entirely. I could decide that writing a novel is not something I care to do. I could say, what the hell why is this so tied to my own identity, I give up goodbye. I’m gonna go be a bus driver, which turns out to be my true calling.

Not really, but my point is that you could do that with your own hill if you so desired.

My recommendation? Don’t be a Sisyphus. Get rid of your boulder. Walk away, walk around, or hire a burly construction worker to jackhammer it out of existence.

More often than not, the boulder is not something you need to contend with. You don’t need to take that thing with you anywhere. Whether it’s your insecurities, as in my case, or someone else’s expectations saying you have to do this specific thing or maybe your perception of what the world wants you to be. You don’t need any of that. Look seriously at your hill. Is it something that you chose for yourself? Is that hill representing something that is a true part of you? If so, realize the boulder is just doubt trying to keep you back from being your full self and walk around it. If not, realize that this is not the hill for you and walk away.

It’s okay. It’s okay to choose your own path. You aren’t a jerk like Sisyphus, so there’s no need to torture yourself as though you were an angry Zeus.

Why I Can’t Write

Okay people. I’m about to get really real with y’all. So be prepared for that, I guess.

It’s been a month since I wrote my Crazy Town Update post. Since this post is slightly related, let me tell you what ended up happening on the medication front. Basically, I switched meds. So far, I have not had a bad reaction, but I never fully stopped taking anything. I replaced citalopram with escitalopram. I know, I know. But they don’t do the same thing. The citalopram was treating something I no longer deal with and the escitalopram is basically the citalopram equivalent for what I am dealing with. It’s like if your cold turned into bronchitis. You would start out taking whatever to treat cold symptoms, but eventually you’d have to switch to something that could treat bronchitis symptoms. 

Anyway, I wanted to write about why I’m not writing. This isn’t entirely true, since obviously I can still write some stuff. The thing is that I never seem to be able to finish anything beyond poetry and blog posts – this has been happening for years. Lately, however, I’m having a hard time doing writing of any kind. I’m really forcing myself to do this because sometimes that’s what you have to do.

It has taken me a long time to discover why this has been happening for so long.

Back in July, I wrote a post about failing. You can read it here if you so desire. I talk a lot about discovery writing and how I was using it as an excuse. I talk about how afraid I am that whatever I write is going to be awful.

I still feel that way and I doubt I will ever stop feeling that way. I’ve also recently discovered that I’m just as afraid of success as I am of failure. Yeah, I’m a mess.

These things might be good explanations for why I’m stuck, but there’s more to it than just these surface fears.

The real question is why?

To overcome fear, you have to face it. In this case, it sounds like I need to just write and that will be facing my fear. Not so. What I need to do is go inside, to my inner feelings mausoleum where I bury all the junk I don’t want to think about, open the tomb, take everything out, and hold it in my hands, my heart, and my mind.

Why are you afraid?

Why do you believe you aren’t good enough?

Why do you think you’re unworthy?

I think these questions plague many people. And the truth about creativity is that it is fueled by emotion. If you’re like me and you bury feelings away, you’ll soon find that you bury all of the feelings. And when all your feelings are buried or chained up or hidden or lost – you can’t call on them for creativity.

And that’s why I can’t write. This is why I haven’t been able to truly put all I have into my writing. I don’t allow myself access to all I have. I allow myself access to just enough to get through my days.

The reality of life is that while our society generally prefers people to “put on a happy face”, that advice is total bullshit. You’ll be miserable forever if you pretend that you’re not miserable.

What is the true key to happiness? It’s two fold. The first part is realizing that it’s actually impossible to be happy all the time. That’s not how life works. By living, by putting yourself out there, you are committing yourself to both happiness and pain. That’s what risk is. If you never take a risk, you will never experience either of those things. They come together. The second part is acceptance. You can’t just take the happiness and leave the pain. Embrace the truth of how you feel. Do you feel sad? Worried? Angry? Upset? You want to cry? Eat all the chocolate? Stuff it down with alcohol? No. Don’t stuff it down. Let it out. Talk about it. Be honest with yourself. Say, yes I’m hurting. And it’s okay! 

It is okay to feel ANY feeling. Sadness, anger, defeat, failure, depression, frustration, fear, lonliness. IT IS OKAY.

Never let anyone tell you your feelings don’t matter. Never let anyone tell you to “suck it up”. Never let anyone tell you that you need to hide your emotions.

If you do that, you will never be able to set those feelings free. Instead they’ll sit inside you and fester. They will mutate into monsters. And then you’ll have a lot more shit to deal with.

If you can’t talk to someone – at least be honest about your feelings with yourself. And be gentle with yourself. You are doing the best that you can, even if it feels like you aren’t.

I would like to say here that I am learning a lot of these ideas from Brene Brown and I highly recommend her books Rising Strong and Daring Greatly.

In conclusion, I’m learning how to be honest with myself about my feelings. I’m learning how to access them again. And while it’s rough going sometimes, it’s also a relief to finally let them out. I have a feeling it won’t be long before I’m writing again.

I’m learning to say: I am enough.

And so are you. Know that you are loved and know that no matter what you are enough.

My Night in Ribbons

Tonight I learned much about the ways of typewriter ribbons.

You see, when I bought Webby, her ribbon was much used and I knew I needed to obtain a new one. I did a Google search and just like magic, Amazon was there – offering me an array of ancient typewriter ribbons. Twin spools, black and red ink, Brother XL-500 compatible….

But Webby is a little different.

The thing about Brother typewriters is this – they only made the “Webster” in 1965, according to The Typewriter Database. After that, it was all Webster XL-500, Webster XL-747, et. al. Webby doesn’t have an XL or any numbers. She’s just a Webster. The main difference that I can see is that most of the XL models have a tabulator. However, I have found most places say that the Webster is comparable to the XL-500, so the ribbons made for those typewriters should work in the Webster as well.

So I bought the one described above. When it came, I noticed it was very different from the spools already inside Webby. The spools I got were plastic while the ones Webby came with were metal. They also had completely different holes. I figured this was just because they didn’t make metal spools anymore and that the new fangled plastic ones would have been made to work in the old typewriters.

And mostly, they did. They fit on the spool holders, the ribbon fit in the ribbon vibrator, and they turned as I typed.

As I used it, though, I quickly realized that any capital letters were being cut off. The top half was just not there. And when I used the red ink and tried to type a capital letter, half the letter was red and half the letter was black.

I cannot begin to express to you how much Googling I did about Brother typewriters. I found the Database mentioned above, figured out my serial number and thus the year Webby was made, learned about how these typewriters were originally made in Japan, and that no famous writer on any list I found used one. (Apparently, the Underwood and the Smith-Corona were the typewriters of choice.)

I was completely unable to find anything about capital letters being cut off. There was all kinds of advice on how to set margins, how to clean old typewriters, how to do minor repairs on the carriage, and how to fix the alignment when your capital letters weren’t lining up with your lower case ones.

The only thing I found that was worth anything was a set of instructions on how to move ribbon from newer spools to older spools. I didn’t know at the time that this would help me. I thought I just had the wrong kind of ribbon.

So I went back to Amazon and found a ribbon by a different seller and ordered those. The dimensions listed in the description were a little different. I thought this was important because when I compared the metal spools to the plastic spools, they were 1/16th of an inch smaller. That doesn’t sound like much, but I thought it might be the problem.

The new ribbons were in the exact same spools as the original ribbon I had bought.

So I decided to pull the metal spools out of the drawer I had put them in (because you know I wasn’t going to throw them away) and put them back in. I wanted to be sure the capital letters worked when those original spools were being used. They did.

And then I remembered the instructions about moving new ribbon from new spools to old spools. I didn’t look them up again, I just went at it by myself.

And so ensued an hour or so of me making a mess unspooling and re-spooling ribbons. Let me show you!

messy

What a mess.

Here you can see the end result. Those are the metal spools with the new ribbon in place. My left hand is included so you can see how inky my fingertips were. My right hand looked exactly the same, so I took this picture with my nose. Because I didn’t want to get ink on my screen. Stop judging me. I can feel you doing it through time and space.

unspooled typewriter ribbon

Cleo almost stepped on it, too.

Here you can see one of the plastic spools and almost an entire ribbon unspooled. This is the old ribbon and I really didn’t feel like spooling it onto a spool just to throw it away, so I just pulled it all out instead.

the test page

This is where I tried out all my attempts at repairing the issue. You can see many failures.

Here you can see my test page. The problem is on the upper left corner, where I have the alphabet in all upper case. See how they’re cut off? The one a little lower down and still on the left, which is faint, is from the old ribbon. The one in the middle, which is dark, is when I finally fixed it. And of course some gloating in red ink nearby.

It turns out that ribbons are attached to spools using these tiny little arrow shaped spikes. Seriously, they’re pointy enough to pierce the fabric. They look like little spear heads or maybe those spikey things on top of iron fences you see at fancy houses sometimes.

All I had to do was unspool the ribbon from the new spools, pull the ends off the spikes, and re-spool them onto the old spools. I put the metal spools back in with the new ribbons on them and PRESTO. It worked! Except that now they weren’t turning.

I nearly had a conniption. If your spools aren’t turning, your ribbon never moves, and you end up just getting letters that are fainter and fainter until you’ve used up all the ink in that one spot. So basically it’s completely useless.

Fortunately, a little finagling with the ribbon holders revealed that all that junk is connected and I probably just jostled them out of place while I was taking spools on and off. I couldn’t believe the solution was so simple.

In conclusion, I now know that I will have to unspool and re-spool all my ribbons going forward. You might ask why I would go through such trouble when really you can read those cut-off capital letters just fine. If you do ask such a thing, then you are obviously missing the entire point of writing on a typewriter to begin with. You might as well ask me why I go through the trouble of writing on anything that isn’t a computer.

I have to say that it’s pretty satisfying to fix a problem like that. Now Webby just means even more to me because I understand how she works a little better. And while I might get another old typewriter someday (giving in to the Smith-Corona popularity), Webby is perfect. She is just what I needed in my life right now. We’re both a little quirky. (She’s also older than me by twenty-one years.)

The Ghost of Failures Yet To Come

What? A new post two days in a row? Yeah, don’t get used to it. This is only happening because I split the Dead Blog Post in half. You know the one.

So I’m working on a story I’m calling Novel Z.

Now before I start up another dialogue with my imaginary blog reader, I actually already talked about this briefly on my Facebook page. And I’m not here to blog about what I’m calling my novel or which story it really is or whatever. Suffice it to say that I’m working on something called Novel Z, okay? Good.

I’m really here to tell you about all of my failures that have yet to happen. You see, I recently had a sort of epiphany about myself. I came to the realization that I have never finished a novel (apart from the one I wrote when I was 14) because I always use getting stuck on the plot as an excuse to quit before anybody reads it.

It all began when I was getting frustrated with the plot of Novel Z before I even started writing anything. I felt like all my ideas were trash and nothing I came up with was any good, especially when it came down to the magic system I was trying to create. So I did a Google search along the lines of “how to write magic systems”. This brought me to Brandon Sanderson’s website, which outlines his three laws of magic systems. From there I somehow found a link to a set of Youtube videos – recordings of the lectures he gave for a fantasy writing class at BYU. Since I’m a fan of Mr. Sanderson’s work, I decided to listen to all of the lectures.

One of the things that really struck me was how he talked about both discovery writing and outlining. For those who might not be aware, I lean pretty heavily on the discovery writer side of things. Lately, I had decided that was why I never finished anything. So I have attempted to become an outliner. As I listened to the lectures, I started to question whether or not that was really my problem. Brandon Sanderson talked about both methods as though it was understood by all that either way works. He would explain how discovery writers might do things differently than outliners when it came down to certain aspects of novel writing, but he never said one way was better than the other. If that’s the case, then what’s my problem? I asked myself.

The truth hit me like a bolt of lightning last weekend while I was actually thinking about my story and how I write.

I use my tendency to discovery write as an excuse to quit.

I would always get stuck somewhere in the story because I hadn’t planned it out ahead of time. That always happens when you discovery write. But instead of working through it and figuring it out (which I could certainly do), I would just give up. Oh, I would say stuff about how I was working on it, but really it would just be sitting in an unopened file for months at a time. Then I’d eventually get antsy about not writing, but when I went back to it, none of it made sense. So I would start over completely.

Why would I do this to myself?

Easy. I do this to myself because I am scared shitless.

I have been so afraid of finishing a book, I’ve been subconsciously sabotaging myself.

I mean, think about it. What would happen if I actually finished a manuscript? My family & friends would want to read it. Then I would probably send it to agents, hoping someone will pick it up and try to sell it to a publisher.

What if my family & friends hate it? What if no agent thinks it’s worth anything? In other words, what if I fail completely at the one thing that I not only love but claim to be good at? The one thing that everybody knows is my thing, my passion?

I hear you thinking out there. You’re thinking, get over it, you big baby, everybody gets rejected. Just try again!

It isn’t that easy. Writing a novel is a lot of work. Work that I love, yes, but that’s an investment of not just time and energy, but bits of my soul, too. I put myself in my novels whether I mean to or not. To have someone reject a piece of your soul… it’s something I’m sure writers get used to (probably all artists do). But I haven’t been rejected yet, not counting the seven rejection letters I got for that novel I wrote when I was 14. (Most of them just said they don’t accept unsolicited manuscripts – I was attempting to skip the whole agent thing.)

And they say the first cut is the deepest.

And by “they” I mean Rod Stewart.

My point is that my own fear is what has been holding me back, not my process. Brandon Sanderson actually talks about this in the last lecture of the series. Every writer has that feeling that any moment someone is going to realize that they are a complete hack. Apparently, that feeling never goes away.

Okay, so now what? I know I’m a big scaredy-cat, my fear of everyone discovering how awful I am will never go away, and I still want to write novels that might maybe get published one day. What do I do about it?

I know from personal experience (unrelated to writing) that the only way to overcome a fear is to face it. In this case, I have to finish my book. I have to give myself a reality check when I inevitably get to that moment of crisis in my first draft. Then I have to get past it and actually finish it. If it gets rejected, I will try again. And I will be able to say, look, I wrote this thing and here’s what I learned from it.

That’s really the only option there is.

And anyway, once I become a super famous best selling author, that original rejected manuscript will be worth billions on eBay.